Showing posts with label bar-none records. Show all posts
Showing posts with label bar-none records. Show all posts

Saturday, July 27, 2013

Hoboken's Bar/None Records Pays Tribute to Maxwell's in its Final Week

If longtime fans of Maxwell's hadn't started feeling the impact of its impending closing yet, they certainly were after Tuesday night's gig, an all-star show by artists from Hoboken's own Bar/None Records.

Speed the Plough on stage at Maxwell's.
Speed the Plough on stage at Maxwell's.

The label, which has been around since the mid-'80s, has put out recordings by a whole cast of musicians from Hoboken or associated with the town, and the club: The Feelies, the dB's, The Individuals, Freedy Johnston, Alex Chilton, Juliana Hatfield, Health and Happiness Show, They Might Be Giants, Speed the Plough, Kate Jacobs, and Peter Holsapple & Chris Stamey, among many others. (See links to more articles about Maxwell's and its closing at the end of this post.)

The first band to take the stage was Speed the Plough, a band that grew out of the Trypes, which in turn was a spin-off of The Feelies. They played a solid set of a half-dozen or so songs, and were succeeded by acts that played anywhere from one song (Kate Jacobs) to 20 minutes or so (James Mastro's Health & Happiness Show).

Health and Happiness Show.
Health & Happiness Show, with Glenn Mercer (left) adding vocals.

Guitarist and songwriter Chris Stamey, a member of Maxwell's staple the dB's, played a satisfying set backed by Gene Holder on bass and Anton Fier on drums. Freedy Johnston, who also has played Maxwell's many times, played one song early in the show, but fortunately appeared later to play his own set, finishing with his classic "The Lucky One."

Chris Stamey at Maxwell's.
Chris Stamey, with Anton Fier on drums.

With this gig occupying the middle spot between two other shows at Maxwell's (... And You Will Know Us by the Trail of Dead on Tuesday, and The Muffs on Thursday, we left the show at 12:30 a.m., after Johnston's set. We heard that the show didn't wrap up till nearly 2 a.m. Like early days of the Hoboken music scene, the show was sprawling, chaotic, and full of great music.

Freedy Johnston.
Freedy Johnston.
More about Maxwell's from around the Web:
"Val Emmich, one of Maxwell's' most successful post-millennial alumni, returns for one more show," NJ.com
"Farewell Maxwell's: Remembering the Legendary New Jersey Venue," talk with co-owner Todd Abramson, Fuse.tv

"Remembering Maxwell's, New Jersey's Legendary Rock Club," videos, The New Yorker

"The Hoboken Sound: An Oral History of Maxwell's," New York Magazine

"Reliving Maxwell's glory days," Abramson notes the most memorable shows, New York Post

"Hoboken Moms Replace Maxwell’s Rock Fans in Housing Boom," Bloomberg

Monday, May 07, 2012

Photos: The dB's, Freedy Johnston, & The Front Bottoms at Hoboken Music Fest

Sunday was a perfect day for live music in Hoboken, with great weather and great performances by a number of acts, old and new, that are (or were) from New Jersey and, in some cases, from Hoboken itself.

The reunion of The dB's ahead of the release of their first album in 25 years was a big draw, and the band delivered with tunes old and new. The songs from their forthcoming album, "Falling Off the Sky" (out June 12th) sounded great, and felt like worthy additions to The dB's catalog. The original lineup of Chris Stamey, Peter Holsapple, Gene Holder, and Will Rigby was rounded out by young singer-songwriter Brett Harris on keyboards and guitar.
Chris Stamey and Peter Holsapple of The dB's.

While The dB's were the big draw for older music fans, the young New Jersey band The Front Bottoms had their own cheering section, and it was enthusiastic. (A mosh pit threatened to break out, the first time I've ever seen that at this festival.) No doubt they'll draw comparisons to another Bergen County indie/pop/punk outfit, Titus Andronicus. Like Patrick Stickles of Titus, Front Bottoms singer Brian Sella throws out rapid-fire streams of smart, funny, and sometimes oddball lyrics (such as "I will remember that summer / as the summer I was taking steroids / because you like a man with muscles / and I like you.”)

The Front Bottoms are a lot of fun to see live, and I'll probably try to catch their show again. I want to check out their self-titled album as well (on Bar-None Records).

I've never been disappointed by a Freedy Johnston show, and yesterday's was no exception. The Kansas native and former Hoboken resident played songs from throughout his career, which has been long and productive (it's hard to believe that his breakthrough album, "Can You Fly," came out way back in 1992). Backed by a band that included his frequent collaborator on guitar, the excellent Dave Schramm, Johnston played a set that included favorites such as "The Lucky One," "Until the Sun Comes Back Again," "This Perfect World," "Bad Reputation," and of course his cover of Jimmy Webb's "Wichita Lineman."

Some photos below (more to be added later)...

Chris Stamey.

Holsapple, Stamey, and bassist Gene Holder.

Gene Holder.


Holsapple and dB's backing musician Brett Harris.



The Front Bottoms.
Brian Sella of The Front Bottoms.


Mathew Uychich of The Front Bottoms (drums); bass player not identified.

Freedy Johnston and band (Dave Schramm, Johnston, and Jared Nickerson. Not pictured: Steve Goulding, drum). The under-construction 1 World Trade Center can be seen rising in the background.

Dave Schramm (left) and Freedy Johnston.